144 lines
9.3 KiB
TypeScript
144 lines
9.3 KiB
TypeScript
import React from 'react';
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import { Link } from 'react-router-dom';
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import BlogPostLayout from '../../components/BlogPostLayout';
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import SEO, { SITE_URL } from '../../components/SEO';
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const HERO_IMAGE = 'https://lh3.googleusercontent.com/aida-public/AB6AXuB8NOE5fGfN4d87cbcB27_Sh-nrlZlqxsTlYKbCZk98SoL-gHsPSWFNuxd1DxBq0g8Qysh0RBZ_btu-_WaH68UjV8SXPUalyxREvUqao4oXmra--pWAsaooWwKvWCzReYZ8kj7G-KIYIAo5mqudzB8n9C6-HVTNPPx9QgZHr_YsojMxlmmVcQ5bqk7-Lp0KtSAiVIPD2-1UE1dMGnkVSLUXKdgA65JIh8M3TtNkaJTGONuFKoTERrYOWe7u2BILnqyukTzlNcvK7Sc';
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const SOURCES = [
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{
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label: 'IKKAI Ceramics - Pottery Motivation: 10 Tips for When You Are Feeling Stuck',
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href: 'https://ikkaiceramics.nl/blogs/welcome-to-my-journal/10-gentle-tips-for-pottery-motivation-when-youre-feeling-stuck',
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},
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{
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label: 'Ceramic Arts Network - Ceramics Monthly',
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href: 'https://ceramicartsnetwork.org/ceramics-monthly/',
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},
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];
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const articleSchema = {
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'@context': 'https://schema.org',
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'@type': 'Article',
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headline: 'Finding Motivation in Clay',
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description: 'Finding motivation in clay during slow seasons and creative blocks. Ten gentle, practical ideas for potters who need a steadier way back into the studio.',
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author: { '@type': 'Person', name: 'Claudia Knuth' },
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publisher: { '@type': 'Organization', name: 'KNUTH Ceramics', url: SITE_URL },
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datePublished: '2024-06-11',
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url: `${SITE_URL}/editorial/finding-motivation-in-clay`,
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image: HERO_IMAGE,
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mainEntityOfPage: `${SITE_URL}/editorial/finding-motivation-in-clay`,
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keywords: 'finding motivation in clay, pottery motivation, creative block potters, ceramic artist inspiration, potter burnout',
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};
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const MotivationInClay: React.FC = () => {
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return (
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<>
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<SEO
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title="Finding Motivation in Clay"
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description="Finding motivation in clay during slow seasons and creative blocks. Ten gentle, practical ideas for potters who need a steadier way back into the studio."
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canonical={`${SITE_URL}/editorial/finding-motivation-in-clay`}
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schema={articleSchema}
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ogType="article"
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ogImage={HERO_IMAGE}
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/>
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<BlogPostLayout
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title="Finding Motivation in Clay"
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category="Wellness"
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date="Jun 11"
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image={HERO_IMAGE}
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imageAlt="Finding motivation in clay - a potter's hands resting beside an unfinished ceramic piece"
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>
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<p className="lead text-xl text-stone-600 dark:text-stone-300 italic mb-8">
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<strong>Finding motivation in clay</strong> is part of the work. Every potter knows the feeling of walking into the studio, seeing the wheel ready, and still thinking: maybe tomorrow.
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</p>
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<p className="mb-6">
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Sometimes the block is exhaustion. Sometimes it is perfectionism. Sometimes it is the quieter anxiety of not knowing what to make next. The tips below are not a cure-all. They are gentler than that. They are ways back in.
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</p>
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<img
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src="/product_images/motivation_pottery_mid_v4.png"
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alt="Finding motivation in clay - hands working with wet clay at a pottery wheel"
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className="w-full my-12 shadow-lg rounded-sm"
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/>
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<p className="text-sm text-center text-stone-500 -mt-8 mb-12 italic">
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Sometimes the most useful goal is simply getting your hands back into clay.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">1. Make something just because</h2>
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<p className="mb-8">
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Stop trying to make the saleable version of yourself for an hour. Make a crooked cup. Make something too small. Make something experimental. The pressure to be good can freeze the hands; curiosity usually unfreezes them.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">2. Choose quantity over perfection</h2>
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<p className="mb-8">
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Potters learn by volume. Ten quick cylinders can teach more than one overworked perfect mug. On difficult days, make the goal output rather than excellence. The body often remembers how to keep going before the mind does.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">3. Separate practice from production</h2>
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<p className="mb-8">
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Not every studio session needs to produce something worth selling. Protect a few sessions as research days. Use them to test forms, glaze ideas, trimming decisions, or scale. Failure feels different when failure is part of the brief.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">4. Notice your studio self-talk</h2>
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<p className="mb-8">
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Replace "I am terrible at this" with "this part is still new for me." Replace "that failed" with "that taught me something." Motivation rarely grows in a studio ruled by contempt.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">5. Tend to the space before the work</h2>
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<p className="mb-8">
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Wipe the table. Sweep the floor. Put on music. Bring something in from outside. The studio does not need to be perfect, but it helps when it feels intentional. We pay attention to that on the <Link to="/atelier">atelier page</Link> because atmosphere changes how the body arrives to work.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">6. Let clay be grounding, not only productive</h2>
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<p className="mb-8">
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Clay asks for presence. Your hands are wet. Your phone is useless. Your attention has to come back to pressure, speed, breath, and touch. On low-motivation days, that may be enough. The point does not have to be output. The point can be contact.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">7. Go outward before you force ideas</h2>
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<p className="mb-8">
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Visit a gallery. Walk near water. Look at bark, shells, stone, weathered wood, old handles, old bowls. Texture and form have to go in before they can come back out through your hands. Along the coast here, those cues are everywhere, and they show up in our <Link to="/collections">glazes and forms</Link> whether we mean them to or not.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">8. Let community carry some of the weight</h2>
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<p className="mb-8">
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Pottery can be solitary, but it does not have to be isolating. A class, guild, open studio, or workshop can reset your energy quickly. Being around other people making things changes the room inside your head.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">9. Protect creative time from business time</h2>
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<p className="mb-8">
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Pricing, shipping, social media, and orders can quietly consume the same mental space that used to belong to making. Sometimes motivation returns not because you found it, but because you protected it structurally. Put business tasks somewhere else in the week.
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</p>
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<h2 className="mt-16 mb-4 text-3xl">10. Set one small goal and let it count</h2>
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<p className="mb-8">
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Pull one taller wall. Trim one foot cleanly. Test one glaze combination. Small goals create traction because they can actually be finished. And when you finish them, name that. Momentum grows faster when it is noticed.
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</p>
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<h2 className="mt-16 mb-6 text-3xl">A note on the clay itself</h2>
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<p className="mb-6">
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What runs through all of this is simpler than any technique. Working with clay is one of the most human forms of grounding we have. The hand pressing into soft material and receiving a response is not incidental to the art. It is the art.
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</p>
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<p className="mb-12">
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When motivation feels far away, come back to the smallest version of the practice. Wedge. Pinch. Press your thumb into a ball of clay. Start there.
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</p>
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<div className="mt-20 pt-12 border-t border-stone-200 dark:border-stone-800">
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<h3 className="font-display text-xl mb-6 text-stone-500 dark:text-stone-400 uppercase tracking-widest text-sm">Sources & Further Reading</h3>
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<ul className="space-y-2 text-sm text-stone-500 dark:text-stone-400 font-light">
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{SOURCES.map((source) => (
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<li key={source.href}>
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<a href={source.href} target="_blank" rel="noreferrer" className="underline decoration-stone-300 underline-offset-4 hover:text-stone-700 dark:hover:text-stone-200">
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{source.label}
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</a>
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</li>
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))}
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<li>Bayles & Orland - <em>Art and Fear</em></li>
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</ul>
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</div>
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</BlogPostLayout>
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</>
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);
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};
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export default MotivationInClay;
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